Friday, 9 January 2009

The one where Richard Sharpe has a close brush with the black death, finds the grail, loses it, finds it again, loses it again, and repeat......

The Bernard Cornwell Love-Fest continues - in my world, at least.

Cornwell's Grail Quest series comprises three novels :

  • Harlequin
  • Vagabond
  • Heretic
In this series, should it ever be filmed, once again Sean Bean won't be playing the Sharpe character as, once again, the Sharpe Character - Thomas of Hookton - is about 20 years old. And not from Sheffield although I'm sure that alone wouldn't be a barrier to Bean playing yet another character who seems to be Richard Sharpe in all but name. And, OK age.

The Grail Quest books are set at the outset of the 100 years war (and thus form a nice bookend to accompany Azincourt) and several real life battles are recounted, as Thomas participates in them - most famously Cressy. And we win! Always. Because that's how these things work. And to be fair, that is what history tells us so it's not like Cornwell is trying to, you know, create a parallel world - the brave English Archers really were the best, most lethal and most successful fighting force of the time. Also, brave, noble, potty-mouthed........you get the picture.

The McGuffin of the books is, not surprisingly given the series title, the Holy Grail. Of Monty Python, Indiana Jones and the Bible fame. I actually guessed the final denouement (as those who read my Tweets will confirm) about 20 pages in (or less). Did that ruin the series for me? Not one tiny weeny bit. The conceit is actually rather original for Cornwell books - a bit off piste from the normal forumla - but it works very well so I didn't mind the variation from the norm.

Thomas, bastard son of a formerly heretic (and occasionally mad) French priest, born and borought up in a small Dorest seaside village, and desperate to be an Archer, has his life turned upside down when his village is attacked and destroyed by a mercenary French raiding party. His father is murdered by the mercenaries' employer, his mother by the mercenaries' leader. He vows revenge and joins the Kings forces as the easiest way to both get to France to pursue his revenge and at the same time follow his vocation as an Archer.

Much slaughter ensues, plus the usual components of a Cornwell saga - 3 women over the space of 3 books, the gaining of a soldiering family and then the gradual destruction of that family through the inevitability of war. The religious and faith elements are new, and work well. The questions of whether the quest for the grail is real or a chimera, who should have the grail 'win' and what they should do with it, are central to the narrative. As are themes of vengeance, forgiveness, ambition, love, loyalty, faith and superstition. These books see a cast of characters whose loyalties shift - there are few totally 'black or white' characters - there are several characters who have an element of Hakeswill lite about them but none who really fit the bill - the chief villain, Thomas's cousin Guy, is....complex. Certainly no panto villain like Hakeswill. There are other villains who are more panto-esque but none has that big a role in the narrative or lasts that long. Thomas's little soldier family, consisting primarily of the leader of his fighting troop will Skeet, Sir Guillaime D'Evoque, the leader of the mercenaries that destroy Hookton (only one example of shifting loyalties) and Robbie, son of a Scottish Lord (another whose loyalties are tested and found wanting), is certainly not as tight as Sharpe's chosen men, and nor is it as important to Thomas's well being or his ultimate survival.

The way in which the grail quest is handled and resolved (even though I guessed it from the start) is addressed very well, as is the arrival and impact of the Black Death. I finished the third book desperate for the saga to continue.

Bernard Cornwell continues to do no wrong in my eyes!

Saturday, 3 January 2009

Legs eleven...........

Actually, I know little about his legs.

He's not who I would have chosen. He's not who I was expecting. But his hair looks great and he has a big nose (a sine qua non for the part) and I'm sure he is going to be great. Moffat knows what he is doing. And Matt Smith is going to be........fantastic.

Thursday, 1 January 2009

How many children, exactly?


One of my absolute favourite 'childrens'' series is the books about the Marlow family, written by Antonia Forest. The series comprises 10 books, published between 1948 and 1982:

  • Autumn Term
  • The Marlows and the Traitor
  • Falconer's Lure
  • End of Term
  • Peter's Room
  • The Thuggery Affair
  • The Ready Made Family
  • The Cricket Term
  • The Attic Term
  • Run Away Home
The Marlow family was, by any standards, large. There were two sons and six daughters. So, that's eight children in all ................yep, eight. Yet Mrs Marlow, never a main chacter but often peripherally involved (usually wheeled in to either express exasperation at the lunacy of her offspring or to bewail the state of the family finances) appears to be neither mad nor it has to be said particularly maternal. Eight children. Really. Eight.

The main players in all the books are the twins, Nicola and Lawrie, who are the youngest of the brood. Nicola is the star (main POV character) of all but one of the books, the exception being The Thuggery Affair - but Lawrie generally has a big (although less sympathetic ) role. The other siblings - Giles, Kay, Rowan, Ann, Ginty and Peter take roles of varying importance throughout the series.

One thing the Marlow books is not is simply a school series. For a start, only four of the books are actually set in term time, in the school attended by most of the girls (although increasingly few as the series goes on - drop like flies they do. None of them dies but stuff happens. Blimey does stuff happen.) The first book, Autumn Term, is for the most part a straightforward (although superior) boarding school tale, in which we follow Nick and Lawrie as they go away to school with their sisters for the first time - but thereafter the books go way off piste (for traditional school stories).

Among the topics examined in the series are:
Faith
Artistic giftedness (is that even aword? Well, anyway)
Teen death
Adult death
Drugs
Gang culture
Teen romance
Exam cheating
Vatican II (seriously)
The Gondal writings of Emily Bronte
Mental illness
Superstition
Falconry
Financial woes
Wartime treachery
Divorce
Blended families

I fell in love with the Marlows when I was 10 - possibly a little bit young (at the time)for some of the themes but nevermind eh. It took me years to complete the set, anyway, although thanks to the lending library system in Croydon and Cambridge I was able to read them all before I managed to score my own copies. The most elusive volume, for me, was Falconer's Lure - naturally my favourite of the series (well, duh!). I finally managed to find a copy of that in the late 90s - just before Girls Gone By publising re-issued it themselves. But actually, I don't mind about that, I'm glad I own a real first edition.

I'm going to blog about each Marlow book individually (oh joy) . Something to look forward to, eh? ;)